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Last update – 6 July 1997. |
Byron out, Lawton in!
This new found stability was not without it's share of controversy, Uriah Heep had made it known that they would not be living on their past glories. Of course, the old favourites were still in the live set but their recorded work was to take a different direction. Firefly, released in February, 1977, was to some, more of a Heep album than their previous release. High And Mighty. Ken Hensley, when talking of Firefly said at the time, "It is measurably better and more significant than the fast album". Moderate critical acclaim was shown in some of the music press and the new Heep chose to play America first taking a support slot on the Kiss tour. When they returned to headline in the European territories, the doubters were able to see the new vigor and commitment in the revived Uriah Heep.
A MONSTER! Innocent Victim was described by the publicity campaign as, "a monster!", in many ways it was Uriah Heep enjoyed good reviews of the album but the change in direction was much more noticeable than on the previous release. A more sophisticated sound was evident but there was also a lightweight fee! to much of the material. Although the album again failed to make the UK charts, it became the band's biggest seller in Germany, and throughout the rest of Europe they enjoyed huge success. This was in part due to the re-release of Lady in Black which had won Uriah Heep the coveted "Golden Lion Award", and the massive hit they had with Free Me in mainland Europe and other countries outside Europe. This was a definite change in the band's style and their success in the singles charts of many European countries, excluding the UK, was unprecedented. This undoubtedly won the band many new fans but these were the type of fans who's allegiance to a band was often very short lived, especially if the hit singles success was to disappear as quickly as it came.
In the meantime, many of the dedicated fans from Uriah Heep's glory years drifted away from the band, disillusioned with the new pop sound, they were never to return to the fold. Other fans stayed loyal hoping for a return to albums full of the power and passion that they knew was still within the capabilities of the band. This was displayed on innocent Victim in songs like Free n Easy which could have come from any of the early Uriah Heep releases, it captured their ability to rock perfectly, and Choices, although penned by Jack Williams, a friend of Hensley's, it encased traditional Uriah Heep values. Other than these few tracks, there was little for the old fan, devoted to the classic Uriah Heep sound to get excited about. The monster, as it was called had dealt the band a double hand.
APTLY TITLED ALBUM The third album from the Lawton era. Fallen Angel was released in July, 1978 and seemed to be split between the old and new styles. Whilst Love Or Nothing and Come Back To Me were blatant, and reasonably successful, attempts at hit singles, there were indications that a hard rock band was hiding in there somewhere. Critical praise of the album failed to secure more than average sales and although they stiff enjoyed a respectable attendance at their concerts, Uriah Heep seemed destined never to go that one step higher in the UK. Behind the scenes Unrest was again increasing, the stability that had enabled the band to produce three albums from the same line up for only the second time in their career was coming to an end. Much of it centered around the role of Gerry Bron and his use of Hensley penned material for the majority of album tracks. They did however return to the studio to start work on a fourth album but before it could be completed the unrest had come to a head and resulted in John Lawton and Lee Kerslake departing the band leaving Uriah Heep onñå again having to find two new members.
By Robert Corich, from "Time of Revelation" booklet.
Scanned by Vladimir Milovidov |
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